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It’s too early in Scott’s career and roles to predict whether he will be able to move forwards from his dad’s shadow. Scott Eastwood will doubtless always be compared to his father and there’s fun to be had in spotting the same type of grimaces and subtle smiles we all know so well from iconic characters such as The Man with No Name and Dirty Harry. I dare say it: the best person in Dangerous is Mel Gibson.” Punch Drunk Critics
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Durand on the other hand, who can play crazy with ease, shows him how to do it throughout the film. Even towards the end of the film when he’s “fully unleashed,” he’s not convincing. Not once in the film is he believable as a psychopathic killer. “The casting of Eastwood (the nepotism is strong with this one) as the lead is an unfortunate choice as well and he simply doesn’t have the tools to carry the film. Scott Eastwood also doesn’t have much to do in the way of action, and if he does, it’s usually something offputting…” Flickering Myth Admittedly, there is one surprise within the hidden discovery, but the gist is as basic and generic as these stories come.
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“Whatever curiosity the story once had is also drained by the predictability of what the mercenaries are presumably looking for as they perform seismic chasing all over the island. Nor is it a great performance - Eastwood’s too brow-knit and poker-faced for that - but it is repeatedly entertaining once the actor gets going As indicated, the script by Christopher Borrelli hides some quirky twists and turns of phrase in its nasty, bloody mechanics.” Datebook/SF Chronicle “It’s not a deep psychological study of a man getting in touch with his feelings for the first time.